Kwan Guan Yin, Buddha, Italian Bitossi Aldo Londi bust, 1960s
Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
  • Charger l'image dans la galerie, Kwan Guan Yin, Buddha, Italian Bitossi Aldo Londi bust, 1960s
  • Charger l'image dans la galerie, Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
  • Charger l'image dans la galerie, Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
  • Charger l'image dans la galerie, Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s
  • Charger l'image dans la galerie, Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s

Kwan Guan Yin Buddha Bust — Aldo Londi for Bitossi, Rimini Blue, Italy 1960s

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18 650,00 kr
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A Rare Bitossi Masterpiece in Rimini Blue

One of the most striking pieces to come out of the Italian mid-century ceramic movement, this Kwan Guan Yin (Goddess of Mercy) bust was designed by Aldo Londi and produced by Bitossi in Tuscany during the 1960s. It is a museum-quality example of the celebrated Rimini Blue glaze — a vibrant, deeply saturated blue with lime accents and a golden web pattern that catches the light from every angle.

Kwan Guan Yin is one of the most revered figures in East Asian culture, and Londi’s interpretation — rendered in glazed stoneware with serene, stylised features — bridges Eastern iconography with the bold aesthetic language of Italian modernism.

Details

  • Designer: Aldo Londi
  • Manufacturer: Bitossi, Tuscany, Italy
  • Design period: 1960–1970
  • Style: Italian mid-century modern
  • Material: Glazed stoneware
  • Glaze: Rimini Blue — vibrant blue, lime and gold
  • Attribution mark: ITALY S214/30
  • Height: 28 cm / 11"
  • Diameter: 16 cm / 6½"
  • Weight: 3,000 g
  • Condition: Near perfect — minor glaze chips at her right eye and on top of the crown; otherwise flawless

Condition Note

The glaze chips are minor and do not detract from the overall presence of the piece. They are consistent with the age and handling of a 60-year-old ceramic sculpture.

An exceptional centrepiece for a mantel, shelf, or display cabinet. Highly sought after by Bitossi collectors and mid-century ceramic enthusiasts worldwide.

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